Do you write what you know?
Do you write what you know?
Back in college, I had to complete a short story project for one of my creative writing courses and the outcome was a fully-edited, ready-to-publish (essentially) short story collection. And since this was back in the day of free proof copies for NaNoWriMo winners, I decided to go ahead and publish it. Why not, right? And I did so using my real name. Then I entered a Harlequin contest and did decently well (top 12 — so not placed or anything, but still a huge success in my mind), using my real name. All of the self-published short stories in the AugNoWriMo Compendium Milestone: under my real name. I was already starting to establish my name as my author brand, even before ever thinking about it. To then start over with a pen name? Not something that really appealed to me, personally.
The blog writing hasn’t really taken off yet, but I’ll get there. For now, here’s the monthly WriYe Blog Circle post, at the very least!
Is romance necessary in all fiction? Why or why not?
Now, this is a very tricky topic for me, since 90% (or more!) of my own novels wouldn’t exist without romance, simply because that’s my “home” genre. So, for me? Yes. It is necessary. Is that to say I couldn’t write something without romance? Absolutely not. In fact, I’ve done it several times. But those pieces are rarely what come to mind when I think of my best works. And if it’s a book that I’m sitting down to read for enjoyment, I could go either way if there’s no “pairings” to speak of within the pages of the book.
But here’s the thing, I don’t think romance is limited to the romantic love (or, delving deeper into the genre and thinking about erotica, lust) that most people think of when they start to consider romance in fiction. There’s always platonic love between friends or familial love between siblings / parents and children / cousins / whatever. Or, and maybe my favorite, self-love — again, not the erotica version — wherein the main character really learns to love themselves and everything they have to offer their respective world. And when you start including all of those kinds of love into your consideration, I think you’ll be even more hard-pressed to find a book that doesn’t include at least one of them.
So, is it necessary? No, not entirely. But does it usually benefit the depth of your story and characters? Absolutely.
If you do have romance in your fiction, tell us about your favorite pairings. Why are they your favorite?
If we’re talking about tropes, I very much love a good girl / bad boy (or the reverse!) where each half of the couple is from an entirely different world and they bring each other into their own world and find their own, combined place to build their happiness somewhere in the middle. I am also a huge fan of long term friends slowly growing into lovers. It feels like it is among one of the more realistic ways to build a relationship to me and just generally makes me happy.
However, if we’re talking favorite ‘ships in our own writing, I also have two favorites in this category within my huge universe and cast of characters. One is Nick and Audrey. I adore them for a few reasons. One, they were the couple that started it all. Without them, my series wouldn’t even exist. So, for that reason alone, I feel like they will be my forever favorites. However, I also just love how pure their relationship is. The two of them are truly just two halves of the same whole and always have each other’s backs, no matter what.
My second favorite couple in my series was actually an accidental couple. Back when I used to consistently write and share short prompt-based pieces based in my universe with a Livejournal community called Runaway Tales, a whole new plot arc developed in my universe that sprung forth a new relationship between Colin and Erika in the coffee shop they both work for. They quickly became my favorite likely because they fit into both of my favorite tropes listed above and they’re both incredibly sarcastic people who really play off each other well.
What are your thoughts on romance in fiction?